Archives: Image Library
Parrot Oasis
This beautiful art piece of the gorgeously coloured parrot sitting proudly on the branch covered in orchid blooms and palm leaves exudes warmth and charm. The peach background allows this art to fit into any colour scheme.
Pilbara
This art piece of the red earth gives that cheerful warm experience right in your space. You can almost see the vegetation growing in this mineral rich soil of the West Australian landscape.
Pastel Blooms
A soft, bright arrangement of pastel-coloured proteas and florals nestled amidst native green foliage, against a soft grey background. ovement of original hand-painted artworks.
Parisienne
A beautiful hand painted artwork that features soft cream and pink peony flowers contrasted against a dark background. This is a print of an original hand painted oil paint ing with small detailed brush strokes on canvas.
Pink Ladies
A delicate overlay of textured flowers and leaves in a fresh teal, and soft pink colour palette.
Pompeii Black
A visually striking abstract piece that presents like a patchwork of textures and strokes. Features black watercolour on a tan background.
Pompeii White
A visually striking abstract piece that presents like a patchwork of textures and strokes. Features white watercolour on a tan background.
Paper Towns I
A fresh, playful abstract artwork featuring overlapping shapes, forms and patterns in teal, green and pink. Pairs with Paper Towns II.
Paper Towns II
A fresh, playful abstract artwork featuring overlapping shapes, forms and patterns in teal, green and pink. Pairs with Paper Towns I.
Ngapa Jukurrpa II – Water Dreaming – Puyurru
ARTIST: Priscilla Nangala Robertson.
The site depicted in this painting is Puyurru, west of Yuendumu. In the usually dry creek beds are ‘mulju’ (soakages), or naturally occurring wells. The ‘kirda’ (owners) for this site are Nangala/Nampijinpa women and Jangala/Jampijinpa men.
A colourful and visually striking Aboriginal artwork piece that sees songlines of meticulously placed dots and lines radiating from central circles, representing soakages. The colour palette is a kaleidoscope of purples, blues, reds and oranges. The site depicted in this painting is Puyurru, west of Yuendumu. In the usually dry creek beds are ‘mulju’ (soakages), or naturally occurring wells. The ‘kirda’ (owners) for this site are Nangala/Nampijinpa women and Jangala/Jampijinpa men.